#I used to sing solos in choir and stuff

[kaijuno]

I was practicing my singing styles today because I can sing, I just need to find the right tone and the right genre and I think it might fucking be gospel goddamnit >:(

[thecommunityfridge]

infantilism: the musical

All characters are 18+

cw: abdl, messy diapers, diaper change

“Stop, stop, stop.”

Kayleigh obediently stopped, mid-verse, and stepped back, turning to face Ava, the director, who stood at the back of the auditorium. Grace, who was the musical director but also the pianist, and therefore facing in the opposite direction, gave the leading actress a sympathetic grin and pushed her stool away from the keyboard, reaching down for the water bottle that they all knew was a necessity if they wanted to make it through the long hours of rehearsal in this overheated room without gaining blinding headaches along the way.

“Everything OK?”

“It’s missing something,” the director declared, and Kayleigh worked very hard not to roll her eyes. A similar declaration had been made at least three times a day ever since they started rehearsing for this production. Plenty of somethings had been added, and most of them had been taken out again shortly afterwards when the director changed her mind about it after a night’s sleep.

But it was just one of those things that you had to put up with when you did amateur dramatics — you got amateur directors.

“Like what?” Kayleigh inquired, as politely as she could manage, sitting down on the stage with an audible squish and crossing her legs. She’d been standing, walking, and dancing for four hours and counting by now, and if there was an opportunity for an impromptu break then she was absolutely going to take it. “A tap routine? Or a male voice choir? Or a saxophone solo? Or —”

“No, no, none of that. It needs more whimsy. Something like…” The director paused. “Kay, would you stand up and sit down again for me?”

The actress shrugged. “Sure?” She hopped up to her feet and then, somewhat awkwardly, sat down again. Same squish.

“I thought I heard something!”

“Yeah, I need a change.” Kayleigh brushed a hand through her hair. “Sorry, and all that, but —”

“No, no, don’t you see? It’s perfect! That’s what we need!”

Kayleigh and Grace exchanged a series of looks, and at long last, Kayleigh accepted defeat. “What’s what we need?”

“More verisimilitude!”

“Bless you.”

“You’re a baby, right? So why are you standing singing sophisticated stuff with harmonies and counterpoints?”

Grace intervened. “Because that’s what you asked me to write.”

“Yes, yes, yes.” Ava waved a dismissive hand. “But it doesn’t fit! And now I know why! It’s too grown-up.”

“Too grown-up?”

“We have a nursery setting, so we need nursery music!”

“Like… The Wheels on the Bus?”

“No, no. This is an original musical.”

“Oh, of course. Silly me.”

“What we need,” Ava continued, the light of creation in her eyes, “is a score that feels at home in a nursery. We need rattles. We need banging blocks. We need a kind of… nursery ambience. The authentic sounds of the nursery.”

“I cannot conceivably score a musical for rattle and teething ring, Ava.”

“Sure you can.”

Kayleigh stifled a yawn. “So are you guys going to need me for this? Only like I said, I could kinda use a change.”

“And it’s past her naptime,” Grace added, striking a gentle discord on the piano. “Let her go, Ava. She’ll only get fussy otherwise, and we need to work on this.”

The director sighed. “Fine, whatever. Will you put her down, Grace? I’ll try and brainstorm a bit.”

“I guess.” Grace stood up from the stool and stretched, her shoulders cracking. “Ready, Kay?”

“Sure.” The actress got up, taking her friend’s hand. “See you, Ava.”

“See you, Kay. Have a good nap.”

The two exited stage right, leaving the auditorium through a little-used side door, and began the short walk back to Kayleigh’s nearby accommodation.

“Do you think we’re ever actually gonna finish?”

Grace sighed. “Your guess is as good as mine. She doesn’t seem to get it. I can’t just write whole new songs overnight. Maybe there are people who can, but I’m not one of them, and if it goes on like this much longer, there won’t be anything left of the original concept at all.”

Kayleigh squeezed her shorter friend’s hand tightly. “I know you can do it.”

Grace laughed briefly. “Swap you? You write it, I’ll sing it.”

“I don’t think that would end well.” Kayleigh fumbled in her pocket to find her room key, letting them both into her apartment, and Grace wrinkled her nose as they entered.

“Wow, you really do need a change.”

The actress blushed. “Sorry. It was that curry night at the students’ union.”

“Yeah, no kidding. Get your butt on the mat, girl.”

Meekly, Kayleigh laid down on the changing mat which was the centrepiece of her living space, and there was a rustle of fabric as Grace flipped up the other girl’s skirt.

“You reek. Well, here goes nothing.” As was her wont, Grace began humming something faintly soothing under her breath. Whether she meant to calm herself or Kayleigh, the latter was never entirely sure, but it was nice, and so she didn’t question it. She wriggled a little on the mat as the other girl gave her bum an exploratory squeeze, and then couldn’t help giggling as Grace tore the four tapes, one by one, perfectly in time with the rhythm of her tune.

“What are you humming?”

“It’s, uh…” Grace frowned and hummed a few more bars as she tried to remember. “No idea. Something I made up, I think. I always just think of it as Kayleigh’s Stinky Song.”

The actress attempted to swat her friend’s face, but the other girl pulled back and she missed dramatically. “It’s cool, I like it. Title needs some work, though.”

“It’s nothing special.” Grace peeled back the front of her friend’s nappy and pulled a face. “Girl, we are so totally doing something about your diet. This is gross.”

“I can change myself, you know.”

“Eh, what are friends for?” The humming resumed as Grace pulled the baby wipes towards her and opened the lid of the packet with a click.

Kayleigh lay back and enjoyed the tickle of the wipes against her skin, and the soothing notes of the music. “Grace?”

“Yeah?”

“You know that thing you’re humming?”

“Yeah?”

“Would you say it’s an original soundtrack?”

Halfway across Kayleigh’s bottom, the wipe paused, and so did the tune.

“You know, I guess I would.”

“The authentic sounds of the nursery, right?”

“And nurseries don’t get much more authentic than this.”

“Grace!”

[ttheatre-trashh]

Read me yap about original kids ride the cyclone :333

for any more info about this show!! Look through the tag here

Dream of life. Jane doe walks on stage, and is kind of crumpled over, and slowly makes her way to stand up with stiff movements. This is the only song I have a recording of. As she slowly stands up, Jane doe lifts her head.

She has an echo effect added to her voice, and it sounds amazing. 

The Karnak is honestly hilarious, I loved his comedic timing. I can’t tell if he also had the echo effect, or if he was just an amazing voice actor. Sometimes he would mess up a line, but very quickly turn it into a robotic stutter, which was pretty smart. Love this guy. 

For virgil, they projected a projection of him onto the backdrop curtain. He was so silly I loved himmm. There was a fun transition from tiny rat form to anthro bass player. The bass solo was also great obv. 

Uranium suite was incredible. Ocean has almost this Disney channel main character voice? Idk but it’s so good. 

Mischa was slacking the whole time duh. Pulled out his phone at some bits. Ricky looked bored out of his fucking minddddd. Constance is just the sweetest ever I will kill for her. Noel is amazing and I love him. Like the pure SASS and EVERYTHING about him. Ricky the whole time stared into the audience like “kill me now”. We made eye contact a few times it was nice haha

After Uranium Ocean is kind of like,, calm but freaking out?? She kicks Karnaks box a few times throughout the show, including here. There are fun lights flickering and sound effects. Her voice is squeaky and cracky when she panicked or whatever. Again, karnaks comedic timing is amazing. 

What the world needs was so good. Oceans voice is amazing, the choreography was so snappy and swishy and sassy, very ocean. They hold up signs that spell out OCEAN, and in the flip side of them there’s a picture of ocean. Everyone was on point, and oceans delivery of every line was perfect. Like, the pure disgust she has when she goes “and a transformer movie” like babe has a personal vendetta against transformer movies.

I cannot stress enough how on point the choreography was, during the whole show, but like, I’m obsessed with the choreography of this song. There was a lot of hand flicking of that makes sense? Some fun little kicks.  There are tiny clips of it in some of the promo. 

After wtwn, ocean is freaking out. Karnaks delivery is perfect “blah blah blah needs a unanimous vote” oceans face drops. Long pause. « from each. And every. Member of the choir.”  

When ocean says she “loves” Jane, jane reaches out her arms and runs to hug her, but ocean dodges her and Jane doe just ends up almost running  into a wall. When she says she loves Noel, he just looks at her like “bitchgetthefuckawayfrommeew” and does his gay little pose. 

(E, the actor for Noel, uses they/them, so if I use those I’m talking about the actor) The play was so cute. After Noel said his line, ocean started crying and screaming and her and Constance were whining “NOOOEEEELL WHY DID YOU SAY TAHTTTTTT!!???” “UGH you always ruin these things!!!”  And stuff haha. It was great. 

Noel’s monologue was incredible, he fell to the floor during the dramatic bit about wanting to feel, goddamit.

 “I wanted to wake up,” fake throwing up for a second “in my own VOMIT.” huge grin. “Missing TEETH!” 

Noel goes behind the curtain/projector screen that they have on stage and starts singing. At about “I write poems to burn my firelight,” he comes out in Monique costume. Monique was so cool, she had fishnets, the iconic black wig, and a dress just like kholbys iconic one, but there was a little bow in the front,  and the skirt had strips of ripped fabric on the skirt. 

Again, the choreography of this song is amazing. everyone had chairs, and it was very leg-y? If that makes sense? But like in a “sexy” way, not an “Irish jig” sort of way.  Super snappy and clean cut. vocals are amazing, obviously. Ricky is kindof ominously standing in a corner with a beret and a cigarette playing the accordion. 

For the kiss, Monique and Constance danced together, then Monique and Ricky. Then Monique slapped Ricky, and Mischa comes over and they kissed. Adorable. 

The ending was so good, like the final « if I could have just one dream/if he could have just one dream/id be. That fucked. Up GIRL./HEY ». Mwah. Chefs kiss.

Every story’s got a lesson was so silly. Constance nailed the improv scene. This Ocean just. Needs to be in control. All the time. But like?? I’m making her sound bad but I felt bad for her because she wants everything to go her way but she’s not great at expressing that in a positive way. Any way, Constance gets excited at the end, like, « so I go out and do all. The. Drugs. 😁😁 » her little « BATH SALTS FOR EVERYONE!!! 😃😃 » 

Anyways. Mischa. 

Spence is literally an amazing mischa, he was so good. He started beatboxing really badly into the mic before he started talking about feeling, and the audience laughed. His accent was on point, and he spoke really naturally. Like, it didn’t feel super forced unlike some other Mischa’s I’ve heard (all Mischa are amazing some are just better accents yk)

This song is awesome was so fun. He had a tight white undershirt under his button down, which kind of just added to the silliness of the song instead of just being shirtless, yk? He had a chain and hat, duh. 

Everyone had these massive light up glasses, and Ricky was wearing a robot mask. It was so silly and I loved it. They did the iconic thing where they held onto Mischa’s unbuttoned shirt and made us flow to look like wind blowing

Omg. Talia. So this was so good. 

He awkwardly yet confidently re buttons his shirt, which the audience laughed at but I was like “yall stop that this gets emotional” but I think I’m just a bitch lol. 

The Talia monologue was incredible. Just, yes. Delivery was amazing, everything. I cried. A lot.  Mischa scrolled on his phone when something new appeared in the projector, like the photos and stuff. They used the curtain/backdrop as a projector screen, and there was the footage of Talia and Mischa. The wedding stuff and romance and shit. 

It was so sweet. I don’t have anything special to say about it, the monologue was just amazing. I completely broke down. 

For Talia, oh god. This was genuinely of the best things I’ve ever seen live. Spence’s voice is amazing, and again, I sobbed through this whole song. 

Everyone had the traditional costumes, and the girls had the big skirts, with the projections of Talia on them. I wasn’t sure if they were gonna do that, but it was beautiful. They also had the projection on Mischa’s chest at the end, when he’s belting. I completely fucking lost it.  

And then there’s the iconic nischa hug.  My heart. 💜 oh my god. 

MY FINGERS HURT (I LOST MY FIRST COPY OF THIS??? I HAD TO RE TYPE THIS???) BUT @noelgruberfr and @knockoff-conlon FEEL FREE TO FINISH THIS !!!

[canmom]

thinking about Deus Ex Human Revolution because I stumbled over its soundtrack in my game OST folder.

it got good reviews in its day but with hindsight it's not really remembered as a great game to endure the way the first one did. there is stuff to praise - art direction for example - but equally, you can criticise plenty: the clumsy handling of the 'augments' theme, the shallow orientalism of the China chapters, the watering down of the immersive sim elements. the clumsy outsourced boss fights and the rubbish ending.

if it's remembered today it's mainly for the "i never asked for this" meme, and the 'Icarus' trailer.

watching it again in 2024, the soundtrack is doing a lot of the work of carrying this. most of the dialogue in this trailer is really corny cyberpunk-isms, and a lot of its visuals are blatant riffs on Ghost in the Shell, Appleseed and Blade Runner (though I'll credit that it has a great sense of mechanical design in its robots and stuff). but the opening visual motif - the Renaissance dissection tableau transitioning into the flight of Icarus - is just the right level of pretentious for a game like this. that, combined with the wordless vocals rising and falling around the synth line, does so much work to sell the idea of 'this is grand and important'.

cyberpunk has a pretty specific sound associated with it - the electronic sounds are obvious, but in some of the best remembered cases it relies on contrasting the human voice and old school percussion against those synths, typically in some unusual vocal style that is likely to be unfamiliar to viewers - most notably Indonesian gamelan in the Akira soundtrack, and Bulgarian choir in Oshii's Ghost in the Shell. the other major genre touchpoint, Blade Runner, does not generally use vocals in the same way, but still plays the synth off against percussion sounds. in the simplest terms, it's a contrast of 'natural' and 'unnatural' right? what humans were and what we're becoming.

here we're not importing quite such an unfamiliar sound, but we have a lot of long, held notes by a solo singer (either Ariel Engle or Andrea Revel going off Soundcloud, but I'm having a hard time figuring out the specific credit). it's not unrelated to what Emi Evans was doing with the 'chaos language' in NieR, and indeed to the sound that J'Nique Nicole would bring in the sequel there. I really like wordless vocals, the human voice is such a versatile instrument and brings so much texture.

against that the synth here is actually keeping things really simple. it's mostly just repeating phrases, often simply arpeggios. I haven't really learned enough to keep track of the chord movements here, I'm sure someone more well-versed in music theory could easily take them apart because I doubt it's doing anything overly complex. but it's in a minor key, it's gradually rising for the first half of the track, dropping a bit every so often so it can keep climbing for the most part... and then the final third introduces a second synth line with a slower descending motif - goddamn it's literally just the Icarus metaphor again isn't it, rising and then falling? but it's not too obvious with it, like it doesn't climb all the way back down.

against that the trailer plays a montage of General Cyberpunk Stuff, notably Adam killing people in sicknasty ways, robot limbs doing robot limb stuff, newscasters with interesting fashion sense, and protesters getting gunned down by cops. the weakest parts are the ones that refer to the game's plot and aren't just pure vibes tbh.

that trailer wrote a lot of cheques that the game couldn't really pay, but it is interesting to look back at it with a more analytic eye. it makes me wonder how to really get that human voice texture in music I make. I mean the obvious answer is 'learn to sing', and I'm working on that and making progress, but my voice is pretty testosteron'd and inevitably that limits my range. vocaloids are great but mostly for a different kind of sound. ah well, I'll figure it out. the erhu at least has a sound that's pretty close to the human voice, so maybe that can be the ingredient I need to get that Atmosphere(TM).

[greypetrel]

hiya! 2, 20, 29, 31, 43 for the oc asks c:

Hi Laya! Thank you! :3

Tis the ask game

2. Do you have a personal favourite among your OCs?

I am a good blorbo mom and I love all my OCs equally.

It's Aisling, she's relaxing and fun to write.

20. Do any of your OCs sing? If they sing, care to share more details (headcanon voice, what kind of songs they like etc)?

Alyra is a bard. She sings only drinking songs in pubs. She'll start the choir and have whole room join. Easy to spill secrets if you shared a shanty. Will not sing on command, if you ask her, she won't even speak. Won't sing under the shower or as pleasure, but she did sing lullabyes to baby Kieran and her own offspring eventually. She has a nice, low voice.

Raina is the one that loves singing the most, but unfortunately she's also tone deaf. If she strikes a note it was by pure chance and mistake, it won't happen again. She puts always a lot of passion into it, but she's terrible. Picture a younger Florence Forster Jenkins (TW for... Singing so horrible it's actually funny, I love FFJ unironically).

Aisling has a nice voice and likes to sing, will most often be found humming as she works, and even put words together to sing her own (whimsical, think "In the golden afternoon" from Alice in Wonderland) songs. She's extremely shy, tho, she sings in public only it it's a group song and she can involve other people in it. Ask her to sing solo in front of a person and she'll run in the opposite direction instead.

Niamh I think has a nice voice and is the one that will actually show off and seek proper singing lessons. In a modern AU, she'll apply to lyrical singing classes, and will be a nice soprano.

29. Which one of your OCs would go investigate an abandoned house at night without telling anyone they’re going?

Garrett and Niamh, most definitely.

Garrett will say that "What's the worse that can happen, I'm used to demons and I can talk to them". Not in Kirkwall, because just as Lilian, Kirkwall usually means a shitton of demons he can't handle by himself, or bandits.

Niamh will go just to show that she can. Also it means there's a Spirit in distress and she can calm them down, so why shouldn't she help? That poor spirit must be so upsed, better go and fix it. *Aisling disapproves*

Priscilla would go if she gets paid for it, she doesn't believe in ghosts and after Hezenkoss? Eh, it's all downhill, can't get any spookier than that.

31. Pick one OC of yours and explain what their tumblr blog would be like (what they reblog, layout, anything really)

Mh, the two that would have a tumblr blog are Aisling and Priscilla, let's focus on the latter.

Priscilla would have an extremely curated blog. It's all in pinks and creams with a touch of turquoise, very very girly but elegant. A cursive elegant font uses sparsely for titles, neat links to her other profiles (she has an Instagram and is very active). As for the content: it's aesthetics, all in the same colour range (she loves pink!), a lot of fashion design and fashion photography, all high end and very classy. And the occasional original post showing the nails she did to her friends, some hairdo she has on or made people (Bellara is a favourite model, even if her face is rarely shown she's referred to as "the bestie💖"). Some selfie of her and the group here and there. Poetry and aforism and musics, all by women, resources on indie artists in the music and fashion field. And the occasional informative post against fast-fashion, capsule wardrobes, tutorials on sewing and embroidery and recognizing different types of fabrics.

She'll be very active, i think ahahah.

43. Do you have any certain type when you create your OCs? Do you tend to favour some certain traits or looks? It’s time to confess

Mh, I try to go for "Stuff I'd like to explore or learn how to draw". Like: Radha has an undercut becuase I liked the idea of an androgynous character. I do like contrasts when creating a character, and I do design them thinking of the personality as well, and I colour-code them all.

Example: I wanted a warrior for Veilguard, I didn't have any and I decided to try. To add a little contrast and interest, I decided that Priscilla would have been very "girly" and pink, and definitely a high femme... Who can also shield bash you out of existence. I made her buff because she needs some muscle to support that big shield and armour, but chose the same hairstyle as Evka (before knowing Evka's designer had my same idea) to have some more girlyness in an otherwise full armour, I put her some make up and enhanced the pink with lipstick when the game didn't give me the option of changing the colour to the armours (buuuuh). She does change hairstyle at a certain point, it was fun.

(I have a lot of Priscilla feels, sorry ahahahahah)

I do tend to design finer traits, out of being very self-conscious about my own nose that's on the bigger side (I hated it as a teen. I'm growing fonder of it, but it's a work in progress). xD

Also: I love expressive people and drawing expressions, so I have quite a hard time in drawing aloof, more stoic characters.

... I can't think of anything else, you tell me ahahahahah

[ansbobcar]

My thoughts on the mashle stage play becuz I'm sad I didn't record the whole thing

Only thing I didn't record but I did watch once was the Abel vs Mash part so I think I'm okay enough.

So, overall it was fun. Reminds me of how much fun I had while watching one of the mha stage plays (think the 3rd).

I love the details they added in this medium:

1. Mash NEVER sings showing just how unmagic he is (really looking forward to what the Divine Visionaries will sound like) it reminded me of Shrek and why the Shrek musical felt weird when I watched it. Like everybody sings and dances—except for Mash which really shows just how out of place he is. It makes you focus on the other characters too ngl.

2. Mash's muscles wearing creampuffs for headgear AND having nametags was just *chef's kiss*. I found it extra funny and they really help emphasise the absurdity of Mash's physical powers AND have their own personalities? They're like Mash's minions—the Duello moment where they score a bunch of goals—iconic.

3. Just the stagehands/prop ppl in general working with the projector to make the magic—magic itself in reality was extra cool. Like Abyss' Secondth Spell set up was kinda wild as if his own magic wasn't with the people waving around arrow flags. Using fabric for Wirth's Mud stuff. HECK THEY ONLY HAD 3 PARTISAN PROPS AND STILL MADE IT LOOK COOL.

Alright, so any highlights?

Let me go in order if I can.

The first door prop was wild. I think they used magnets in order to make it work. Pls use it againnnn in the next stage play.

The way Lemon and Love are the only two who use the rewind function is really funny, becuz Lemon's is for her introduction solo song and also semi-glosses over what happened during the entrance exam just like the rest of it was in song while also establishing her delulu love for Mash, honestly she's so real for it. Meanwhile, Love's isn't a musical number and is just the one where she explains how they got duped a coin. The use of practical magic tricks is really cool (I think they used one for the coin itself, those flipping blinds things to make the illusion of a diff object yk.)

The Magia Lupus choir-y ensemble songs were prolly one of my favourites, although I think it's just becuz I really liked Love Cute's presence as a whole since they only focused on Love, Wirth, Abyss and Abel as like the lead singers and Shuen is nowhere in sight? (I forgot if he was Magia Lupus in the first place) alongside the Finn-Lemon duet about like "ganbare Mash" (istg they made FinnMash so much more possible with this one song) and they're like definitely bestie coded 100%.

Anything with Mash's muscles is super funny too.

Lance's solos are emo, Dot had such a main character entrance but I dunno how to feel about the fact he doesn't tuck in his shirt (for context: the tea and the grades) but the fact I can't tell when his actor changes his fucking wig for the Ira Kreuz reveal is crazy.

RAYNE'S ENTRANCE GUYS. Bro has like my favourite musical solo entrance out of all of them. AND HE ALSO DANCES. HE FUCKING DANCES GUYS. KPOP IDOL RAYNE IS SO CLOSE TO BEING REALITY GUYS. They triple killed me in less than 10 minutes for that one.

Also the way they manage to put on the puppet masks without ruining the pacing makes me lose my mind becuz like... HOW???

I forgot to mention Wahlberg but honestly, him and Regro weren't my favourite favourite parts—I think it's becuz they have a lot of exposition dumps and more of a comedy out of the plot element since him and the cop interact with the audience quite a bit—oh but the acting that Regro does to make it look like he's squeezing from the neck makes you as the audience feel and believe his pain (when tehre isn't any). Like it was convincing. Plus they were funny during the entrance exam, they were dancing too.

Also Wahlberg pulled off the flash-paper thing. It was cool. I'm hoping for the thirds magic they make it look really cool in the next stage play.

The best part I looked forward too... was the Shu Cream Funk dance the main 5 did. They also made the others do it on the 2nd and 3rd time. Including Rayne. I recorded this in low-res. It was great.

Overall, highly entertaining. I think considering how they had to cut down 4 hours down to 2 hours with song, choreo (fight and dance numbers) they were pretty successful. I just think as someone who cannot understand japanese that the first 20 minutes was really REAAALLLY plot dump exposition a bit like the funny stuff from Ep 2 and Ep 3 with the entrance exam doesn't exist.

But they made up for it enough.

There's a lot that I skipped like the bullying thing and Bamboo guy. I don't remember his name but that's kinda covered with the rest. I'm really wondering how they're gonna pull off the next arc... I forgot who they cast...

[airyairyaucontraire]

I was thinking after my conversation about “I Want” songs with my nephew about moments when there should be a song like that, and one example I’d given him was Dorothy singing “Somewhere Over the Rainbow,” so naturally I thought of Luke Skywalker on his little berm, and then I thought of the excellent idea I read somewhere that instead of Disney doing boring live action remakes of their great animated movies there should be animated remakes of live action movies, and those bumped together in my head to form Star Wars the Disney animated musical. Key points:

You are free to imagine the voice casting however you wish with one exception: obviously Ewan McGregor is playing Obi-Wan. Play him again and it’s a musical? Whoosh sound effect and a McGregor-shaped dust cloud as he makes for the studio.

Complete freedom to add scenes, and I don’t mean like the restored ANH scene where Han steps on Jabba’s tail - scenes exploring characters’ feelings through song! Including when they’re alone, which is the only way Leia would ever talk about her feelings.

Must look like classic cel animation. Character designs are inspired by but not required to be closely based on the actors (nor The Clone Wars). The animators will be instructed to draw the idea of Luke Skywalker, not Mark Hamill, if you see what I mean.

Mark Hamill can totally do the voice if he wants to though, obviously.

Definitely still have the stormtrooper who bonks his head on the door.

Examples (may not be in chronological order):

Luke’s “I Want” song obviously. Make it as “Somewhere Over the Rainbow” as you like.

Han gets an intro song making his way through Mos Eisley dodging bounty hunters. Make it as “One Jump Ahead” from Aladdin as you like.

“My Only Hope,” a song sung by Leia alone in her cell as she mourns for her planet and her parents. She falls apart in tears, then pulls herself together with a mighty effort and fixes her make-up with a little magic sci-fi device she had hidden up her sleeve and rises determined to stay in command of the situation and of herself - that’s her only hope.

“Your First Steps,” Obi-Wan’s big number while training Luke on the Falcon. A somewhat more comprehensive introduction to the Force than just trying not to get zapped by a training remote.

Other Stuff I Want:

Boba Fett cameo, because I love him.

Just as Leia cries when she’s alone, I need Luke to actually cry when he finds Owen and Beru’s bodies. Then, again like Leia, he pulls himself together and goes to do what he can. But he’s still sniffing and having to wipe his eyes with his sleeve as he drives back to Obi-Wan.

It would be corny but I’m not opposed to brief cameos, just background glimpses, of other characters who might be on Tatooine at the time during Han’s number. I mentioned Boba but we could also have Fennec Shand, Peli Motto and Cobb Vanth.

Before the medal ceremony ending (for which you’d better believe EVERYONE is singing, solos for the main characters and the entire Rebellion as a choir, the triumphal “A New Hope”) there’s a quiet scene with Alderaanian rebels raising a memorial stone to the people of Alderaan, and then anyone who lost someone on Alderaan can use a little laser pen to write their names on a small stone to place in front of it. Leia offers a stone and a pen to Luke, who demurs that he doesn’t want to intrude on something for Alderaan. Leia says, “I’m still the princess of Alderaan and I’m inviting you. You’re not intruding.” So we have a shot of their stones lying together on the base of the pile, inscribed “Breha and Bail Organa” and “Beru and Owen Lars.”

Yes in legible English (or substitute the local script for international release), I’m not doing Aurebesh.

When you use the Force your hair puffs out like a Studio Ghibli character.

Just go full 80s scifi anime with unlimited budget on the Death Star run scenes, obviously

[renard-dartigue]

A Guide to Sleep Token

This will be a post for new fans looking to learn some basic/surface level information about the band Sleep Token. 

*Cracks typing knuckles*

So basically, Sleep Token is an “atl-prog-blackened shoegaze”(what it sounds like to me) band from Britain. People mostly associate them with heavy metal (myself included) But in reality, no one really knows what genre they are and I think the band likes it that way. 

(cont.)

The Bands Symbol

Lore / Terms to Know

Their lore goes that the lead singer had a dream where he encountered an elder God called "Sleep" (its actual name is impossible for the human tongue to speak) thus, he created the band to make music in worship to the God.

They call their songs "offerings", presumably to Sleep.

Concerts are called "rituals".

When you buy merchandise, you are "consuming" it.

The term "worship" is used by the band and fans as a form of acknowledgement.

The band has a total of 7 members and are known as "vessels". All are anonymous, using masks, body paint, and robes to hide themselves. It is said they do this because their music is more important than their identities.

Band Members

4 of them are at the front and are identified with Roman numerals:

I / Vessel

(I) Also known as Vessel (V or Vess) is the lead singer/vocalist of the band and wears a sculpted mask with an exposed mouth. His mask changes based on the album. His vocal range is like no other, at one point singing like an angel before immediately shifting gear into a black metal scream.

II

(II) is the drummer. A fantastic one at that. His solos are godly, very reminiscent of jazz or gospel. (I believe he started the band alongside Vessel) Check out “An Offering from II” on YouTube to see him go crazy.

Recently he did an interview with Drumeo on YouTube where he talks about his influences and does drum playthroughs of a few songs that demonstrate his drumming prowess.

III

(III) is the bassist, or the "bassy boy" as many fans call him. He is quite the character on stage. His energy is unmatched. You'll often find him prancing on the right side of the stage or laying on his back trying to get Vessel's attention (and Vessel does)

IV

(IV) is the guitarist, often has a covert/cool energy to him but he can be just as captivating as III. Over time he's developed a bit of a flirtatious side toward the crowd. Fuckboy energy(affectionate). He also provides sub vocals, raw screaming certain parts when Vessel is busy singing his heart out lol.

Vesselettes

Then there are the 3 last members, the choir or vessellettes. They are the three cloaked figures in the back who provide sub-vocals/harmonies. They may not be too audible on certain recorded tracks, but live they sound absolutely heavenly, making songs go from amazing to spectacular!

Music

Song structure-wise, the best way I can call it is measured emotional chaos. Fans are still trying to decipher their meanings here and on Reddit. 

But what seems to be the theme is toxic relationships, unhealthy coping, romantic trauma, bitter sweat endings, and eventual closure. It's really gripping stuff I'll tell ya. You gotta hear it for yourself to really understand.

There is ALOT more but that's about a general rundown.

They have 2 EPs called "One" and "Two". These are the band's earliest work but they are still fantastic.

They've only got 3 albums out as of writing this. "Sundowning", "This Place Will Become Your Tomb", and "Take Me Back to Eden"(the one released this year)

Songs I recommend as a launch point:

Jaws

The Offering

Higher

Hypnosis

Alkaline

The Love You Want

The Summoning

My personal favorites :)

All of "One"

All of "Two"

Dark Signs

High Water

Ascensionism

Vore

Take Me Back to Eden

They also have Instagram for the band and their personas. But please avoid trying to uncover their identities, They wish to remain anonymous.

https://www.instagram.com/sleep_token/

https://www.instagram.com/ii_sleeptoken/

https://www.instagram.com/iii_sleeptoken/

https://www.instagram.com/iv_sleeptoken/

Hope you like these spooky goobers.

Other fans are free to comment and/or reblog with additional information or fun facts I missed. 

Worship.

[bismuthbookshelf]

My 10 favourite Christmas music videos that I watch every year*

*that aren't from VoicePlay or Geoff Castellucci

I've never been much a fan of most "traditional" carols (with only a few exceptions for certain covers), and I guess you could say my tastes are somewhat eclectic, so I thought I might as well share my recommendations here! They range from more 'standard' Christmas music to stuff that's just a silly good time, but they're all stuff that I watch at least once a year every Christmas season. I don't wanna give these any sort of proper ranking, and so I'm just gonna list them from oldest release date to most recent release date. Enjoy!

(Everything below cut!)

Straight No Chaser - The 12 Days Of Christmas

The video was uploaded to YouTube in 2006, but it's actually from the first time the group ever did this performance, back in 1998, and let me tell you that it's AMAZING. I don't wanna spoil it, but basically this is not your standard Twelve Days Of Christmas. It's hilarious while still being fantastically well done, and if you love the "VoicePlay brand of dumb" especially, you will love this!

Straight No Chaser - The Christmas Can-Can

Yeah Straight No Chaser is getting a double recommendation on this list, but man they deserve it!

This is basically what you think it is - a song about Christmas to the tune of can-can music (but acapella, as SNC is an acapella group), and it is hilarious and SUCH a mood. Lyrics like "Thoughts of joy and hope and cheer/But mostly shopping, shopping, shopping" and "Christmas season/Starting sooner every year/It's October/Stores with plastic Christmas trees". But honestly it's just so fun.

Peter Hollens (& Friends) - Carol Of The Bells

Unless VoicePlay ever decide to do a cover of Carol Of The Bells (not counting the bit of it in their old Santa And I Know It song), then this is the only acapella cover of it that I need in my life!

Peter Hollens collaborated with BYU's Vocal Point (an acapella group who were also on The Sing Off, but the 2011 season), as well as BYU's men's choir, and the One Voice Children's Choir, and the result is epic! I get chills even watching it now!

AsapSCIENCE (ft Jon Cozart) - Science Christmas Carols

And now for something completely different! (Told ya my tastes were eclectic)

It's a mini medley of science-y Christmas carol parodies! The first song bit, "It's Beginning To Not Look A Lot Like Christmas" sadly still hits hard, or perhaps rather hits hard again, because, well, you'll see, but otherwise it's pretty fun

(Still never buying a real Christmas tree though, because I'm Australian and that's basically impossible for us, let alone maintaining one)

I also wanna give a mini shoutout to Jon Cozart's "Progressive Christmas Carols" video, over on his solo channel, Paint. I'm not giving it an official recommendation because the humour maybe might not be everyone's cup of tea, but it's another traditional video for me and I basically know it off by heart.

Lindsey Stirling (ft. Sabrina Carpenter) - You're A Mean One, Mr Grinch

It's rare that I can love two covers of the same song just as much as each other, but this is one of those times, because I love the VoicePlay version (of course), but I also really love this version! (It helps that I found this version first because it's older but anyway).

The video gives the song a completely different vibe and it's honestly great. Just read the comments - it makes it seem like "The Grinch" is a mobster, or a mafia boss, or a slimy yet suave casino owner, or an "evil James Bond"! And both Lindsey and Sabrina killed it of course, both violin-playing (Lindsey) and vocals (Sabrina) on point!

Idina Menzel (ft Billy Porter) - I've Got My Love To Keep Me Warm

Apparently this song was first composed in 1937 by Irving Berlin, and it's been covered by a fair few notable artists over the past decades, but I never heard it until this cover, and I love it so much! It's so fun and jazzy!

I was already a fan of Billy Porter for his fashion alone, but he can definitely sing as well! And Idina can of course do no wrong <3

Idina Menzel (ft Josh Gad) - We Wish You The Merriest

Speaking of doing no wrong, I just had to give Idina a double recommendation, because I also really love this cover! And it's an animated music video that's just a silly light-hearted good time, what's not to love!

(Also I'll just slip in a mini-recommendation here for her cover of Sleigh Ride, which is also great)

Taylor Swift - Christmas Tree Farm

Yeah I'm a Swiftie, sue me :P

But like seriously, this song (written by Taylor herself) has extra value in the fact that her parents really did own a Christmas tree farm, which she spent a lot of time at growing up! Apparently one of her first ever 'jobs' when she was younger was helping to pick bugs out of the trees! And this video features a bunch of home video snippets from Taylor's childhood! (And a couple of clips from before she was even born!)

Peter Hollens (ft Brian Hull & Geoff Castellucci) - Epic Christmas Movie Medley

When I said "favourite Christmas videos that weren't from Geoff or VoicePlay", I meant not from their own channels - this one doesn't count! Anyway, Geoff only does one section in this (though he still does a great job, of course <3), and the video also features Peter's wife, Evynne (I think that's her name?) and their son, Ashland! (who is very cute)

Also I really love the Snow Miser/Heat Miser bit in this; it's such a tune, and the latter half is definitely relatable for me!

Darren Criss (ft Adam Lambert) - (Everybody's Waitin' For) The Man With The Bag

I'm honestly not sure I ever heard this song (somehow) before this cover (which is only like 3 years old btw) but now I love it and can I get like half a dozen more Christmas songs with this same kinda jazzy swing-like vibe please?

The video is definitely a delight as well, just watch it and have a good time!

So yeah, there's my list of recommendations for the season! What are some of yours!

[dudecreature]

Time Anxiety

Pairing: Task force 141/ soap x GN! Reader Word Count: 2.9k Idea: the reader who has time anxiety and when soap invites them to movie night they freak out about the time. "meet us in the movie room at 8:00 don't be late ;P" *shows up like 45 minutes early sitting on the couch the whole time* the guys walk in like 10 late and the reader looks at them like a kicked puppy bc they thought the guys had pranked them and didn't want to have a movie night with them. "I thought you guys weren't going to show up 🥺🥺 its 10 minutes past when you said to be here by I thought this was y’alls way of saying you didn't like me-" soap interjects with a "woht?! whey'd ja everh think thaht?!" "I dunno I just have a lot of anxiety about stupid stuff" reader ends up passing out on Soaps shoulder bc of the long day they had and the built-up anxiety that had worn them out Proof Read: Yes

You trudged through the hallway on your way back from a solo mission. It wasn’t a horrible mission, it went really well in fact. You were just fucking exhausted, eyes drooping, feet dragging, shoulder slumping exhausted. You were ready to get out of the grody clothes, into the shower, and pass out.

Once you had made it to the showers, using as close to boiling water as you could have, you scrubbed the dirt, smell, and residing adrenaline from your skin. When you stepped out you put on lotion (you weren’t going to be a heathen with dry skin) and put on your most comfortable set of sweats and a loose shirt. The residing warmth in your skin nearly lulls you to sleep just standing there in the locker room.

The mess hall hadn’t opened quite yet and there was no telling if you would be able to stay awake long enough to even be first in line. You had decided to forgo the mess hall altogether this afternoon, foretelling that the conversations around you would be too loud for your taste. Sometimes it wasn’t terrible, but you really did have a tendency to let your anxiety and aversions lead you in life. Besides, you really couldn’t stand the idea of having to sit alone once again.

It felt as if no matter how long you were going to be part of the 141 the guys would never get as close to you as they would each other. You would be lying if you said it didn't bother you, of course, you want to be liked by your team, but you were just absolute shit about starting a conversation and meeting new people.

“Thank you once again stupid fucking anxiousness” you chastise your brain for being the way that it is. It has its perks, you have some of the best intuition about people and situations (you never did like that ‘Graves’ guy) it was just at times like this that you wished you could just turn it off. But hey, it had created quite the talent in you to never be late to anything. Ever.

Swinging the door to your room open, as soon as your eyes locked with your bed it was as if you could hear a choir of angels descending, singing a beautiful song of your victory. Your prize? Glorious, glorious sleep. Completely disregarding the fact that it was still light out you crawled into the thin, but soft sheets and yawn. The weight of the day draped like a blanket over you, no thoughts in your mind as you were lulled to sleep. 

Knocking is what woke you up, it very well could have been soft knocking but to you it sounded like banging. You shoot up, wide-eyed, and nearly trip over yourself getting off the bed to rush the door. Yanking the door open with your eyes filled with bewilderment and panic. You see the figure in front of you jump at the sudden movement, he looks at you and an apologetic look washes over his face. 

“Ah, shite did I wake you? I'm sorry dude." A sheepish smile washes over the face of the man in front of you. It takes a second for you to fully be able to process who the hell is standing in front of you. About 20 seconds of dead silence hung in the air, anxiety rattling in your ribs. You attempt to ground yourself with a breathing exercise you had learned somewhere on the internet.

'Five things I can see. Fuck.. The door frame. Soap. Soap's mohawk. Soap's eyes. Soap’s -.'

Realizing that he was all you were thinking about you shook your head and forcibly snapped yourself out of whatever trance you were in. 

"Huh?"

You sounded like an idiot. In all honesty, it is the only thing you could muster without your voice cracking. The team already thought you were young, no need in giving them even more incentive to pick on you about it. Soap chuckled at you again and apologized once more. 

"Ah… I wanted to invite you to a movie night we are having, the other guys will be there.. in the common room." He hesitated over a couple of his words giving room for suspicion on your end. As if he could sense your trepidation he clarifies his reasoning. 

"I just had figured you would want a way to unwind after your solo mission today... but I'm now realizing.. that you may have just wanted... uh to sleep."

He releases an airy, awkward laugh, scratching at the back of his neck. He locked eyes with you watching as you deliberated your response. You had never actually been “invited” to one of their movie nights, only ever seeing them in the common room on your way back from the mess hall. Thinking about it made your pulse skyrocket, they wanted to hang out with you now? What has changed?

“I… uhm sure… that uh.. sounds fun.” 

Your face did not reflect your words, and your words did not match your internal emotions. You were excited but you were also very nervous, you began to go over the positive things before you were able to fall too deep into the negatives of your own mind. It would be good, a bonding experience with the group, and you would be able to relax then. Forcing a smile on your face to hopefully aid in the portrayal of the feeling of excitement instead of fear, but you probably just looked like you had to shit… honestly. He perked up immensely once hearing your answer and clapped a hand on your shoulder. 

“Great! Well we already decided what movie we are going to watch, hope you like Rango.. but we start at 8 okay?”

You nodded fervently, not able to trust your voice once again, and cracked your knuckles together in a habitual nervous tic.

“Good good! We will see you then! Don't be late.” With a sharp smile and a wink, he lifted his hand and spun on his heel to leave.

“And wear somethin’ comfy!” He shouted with one last word over his shoulder.

You snake your way back into the room fully and shut your door. When your hand leaves the handle you then notice a slight tremor in your hands. Taking breaths to stabilize yourself, you look at the clock hoping that you would have time to mentally prepare for interaction with the people you had assumed did not want to get to know you. 6:30. Great, you had only a little less than an hour of sleep. You knew you would be fine, and with an hour and a half until 8:00, perfect… that's three segments of 30 minutes before you had to be there.

Well maybe getting time to know your way around the common room could take a little bit of time. You mentally scratch off 15 minutes, to be able to get comfortable in the common room in your plan. And you had figured if you walked at your normal pace it would take you less than five minutes to get to the common room, so naturally you give yourself those 5 minutes for it. Realizing to yourself that you now have 20 minutes marked off for preparation, now you only have an hour and ten minutes by yourself.

You couldn’t stand being in your room any longer, all you were doing was sitting and overthinking, and it started to suffocate you. So you left. You grabbed a hoodie from your room and left for the common room. It was only 7:15. When you had gotten to the common room you noticed things were a little out of place compared to how it normally is. Choosing to sit on the couch you sat on the center cushion and put your hoodie on, the silence becoming deafening. You pulled out your phone and decided it would be a good time to check emails and messages that you had received. That had lasted a whole two minutes. 7:17. You really had nothing better to do, so you found one of the little push games on your phone and tried to distract yourself from the one question that had been looming over you since the Scotsman had asked you to join them

“What if this is a fucking prank?”

You hated that thought; you wished your brain wasn’t that untrusting of people you had known for nearly 6 months now, but it just came naturally to you. You so desperately wanted to get along with them, to be able to share some of their inside jokes, to be as close to them as they are to each other. Mindlessly tapping at your phone did nothing to help those thoughts that were digging their way into your brain. When you finally are able to look at the time on your phone, you were less than pleased with what you found. 7:46. The universe had to be fucking with you, sure 30 minutes was a decent amount of time, but not a good thing for the newfound anxieties coursing through your veins.

'Where were the others?' 

As a rule of thumb you typically showed up to a place 15 - 20 minutes early depending on the event, just to get situated and know what the vibe of the room felt like. There was no way for you to know how Soap, Ghost, or even Gaz liked to partition their time. It was nothing new for you to be the first one to arrive at any kind of event.

However, when you had read 7:58 on the lock screen of your phone and no one had shown up yet, you had begun to panic. The thoughts of them pulling a cruel prank on you began to boil over in you. A pit formed in your stomach, and you hug yourself in reassurance, was it beginning to get hotter in the common room. Or was it just you? As soon as the clock hit 8 pm you fought the frown that had begun to form on your face with a sharp bite to your lip. You were not going to cry over this. And so you sat and waited for the gang to arrive.

And you waited

And waited. For what felt like an eternity.

You flip your phone over and the screen lit up. Completely dumbfounded at the time that currently read on the screen. 8:09. You wanted to go back to your room, but you also wanted to give into their little game and finally just look for them. Then you heard a door opening and closing and finally heard their voices. Tears welled in your eyes as you heard them laughing. Were they laughing at you? You scrubbed your face with the sleeves of your hoodie before anyone could see your weakness.

“Oh hey! Looks like you beat us!” You hear Soap gruffly laugh out, and when you looked over you spotted Gaz, Price, Ghost, and Soap just having come through the doorway. They had looked at you with a small amount of confusion and concern in their eyes. Soap caught your eye and silently asked what was wrong, so you looked away. God, you must have looked like a kicked puppy if they knew that something was wrong from just one quick look. When you refused to answer Soap asked aloud,

“What’s the matter, dude? You alright?”

That is when you had realized your mistake. They had just been late. That was all. You had no reason to be fussing over something so small, so menial, it was only ten fucking minutes. You hummed a confirmation and nodded your head. Once again forcing a terrible smile you stated,

“Just excited for the movie.” A pause filled the room for about 8 seconds after and you shuffled slightly in your seat.

“You're absolute shit at lying.” Partially taken aback you turn your head to the sound of the voice. Price had stepped forward and the team had their eyes on him. You locked eyes with him and said in the most uncertain tone, 

“I’m sorry?”

"Apology accepted. I won't knock you for it, just remind me to teach you about avoiding interrogation later." he chuckled at his stupid joke. Your eyes roam over to the three others both Gaz and Soap are looking at their Captain, but Ghost is staring a hole into your head. You swore that man secretly had laser vision and just never told anyone. 

"Well, are you going to tell us what's the matter or are we going to have to use the American's way of interrogating?” He laughed again in an attempt to keep the conversation as light as he could, but it didn't affect the tension in the room. If anything it made it more awkward. Gaz made a face that would have made you laugh if your mood hadn't been completely soiled. At least Soap had laughed for you. Gnawing on your lip once more, you take a breath, there was no use in hiding this, if they could tell you were bothered it was dumb to hold it in. You opened your mouth, still trying to gather your thoughts on how to correctly word how you were feeling. It was a dumb thing, they would surely scoff at you.

“Kid, you can take your time okay? And if you want us to get outta yer face we can.”

“I thought you guys weren’t going to show up.” You say with a heavy heart, the tone in your voice laced with the fear of rejection. “Soap said to be here at 8 and I’ve been sitting here since like 7:15 and when you guys weren’t showing up I thought that it was you guy’s way of saying that you didn't like me and didn’t really want me here-”

“What?! How come wid ye ever think that?!” You jump at the quick Scottish shout that comes from Soap. The question forces you to think about the days you were left out of things as a kid and such. The thoughts are all fleeting but they still had managed to crawl their way out a little. Cracking your knuckles, you cast your eyes away from them. “I don’t know,” pausing you look back with an ashamed look shadowing over your face “I just have a lot of anxiety about that kinda stuff I guess… early is on time, and on time is late ya’ know? No matter what the situation is, it's kinda stupid.”

While you let your words hang in the air you take an abnormally large breath and run your hands over your face, then through your hair. Tiredness washing over you, your eyes drooping ever so slightly you realize how little sleep you were running on at this point.

“It's not stupid to have anxiety about stuff like that,” a deep, gruff voice rang through the room, “it's completely normal for someone to be liked by their peers.” There was no need to even look over at him because you could feel his eyes through his mask on your head.

“Yea, it literally pack mentality, it's kinda like a survival instinct. It's nature.” Gaz butts in and that's when you look over. ‘Pack mentality. Interesting take on it,’ you thought to yourself ‘does this mean we’re… a pack?’ your face scrunches up involuntarily as you try not to make it weird in your head. The four of them chuckle at something you didn't hear, so you shoot them all a quizzical look. Soap smiles at you and shakes his head. He walks over to where you are sitting on the couch and the others follow. Soap sits on your left and Ghost sits on your right, Gaz claims the chair and Price snatches a pillow from the seat to use on the floor. You offer your seat to Price, but he declines with a quick and adamant.

“No, thank you. Those idiots take up too much space and mohawk over there likes to cuddle during movies.”

You thought he was joking until a quarter of the way through the movie, you began to doze off and you felt yourself being pulled from the right to the left. You open your eyes, not even have realized you had closed them, and watch as Soap pulls you into his side with his arm. ‘This motherfucker’ you thought to yourself. You could feel the heat rise to the back of your neck and your ears burn. You had stiffened at the touch and looked up at him with a face that said ‘really?’ He simply smiled at you and leaned towards your ear, whispering “Just like a pack?” Your eyes widen at the very delayed information, that you had asked if the group was a pack.. out.. loud. God, you really were an idiot. 

You half-heartedly shoved him away and attempted to scoot over closer to Ghost but the arm around your shoulders locks you in. He just chuckles at your feeble attempts and continues watching the movie. You continue to stare for just a few lingering moments and turn back to the movie as well, the warmth from him that cloaked you begged you to sleep right there. You didn't need to watch the movie anyway, just being there was what you had craved.

AN: thank you so much for reading!! i genuinely think this is the longest thing ive ever written. its amazing how i can write 2.9k words for tumblr but i cant make the word count for class work 💀. have a wonder ful day!! <3

[l4m3nt]

k so im writing an RTC fanfic that is a Famous AU and I need to spread how I view all the characters in this AU

General stuff -they're all in their late 20s/early 30s -the accident did happen, but there was no musical stuff and they didn't die. they just had bad injuries -the choir has mostly split off. -Ships: Blackrose, Spacedolls, Passionfruit, frenchspace, spacerap, frenchspacerap, Mischa x Talia -Ricky and Penny are married, Ocean and Constance are married and have a son, Mischa and Talia are engaged, and Noel is just fucking alone at the start of the story -Ocean travels a lot but lives with Constance in Uranium -Ricky and Penny live in Ricky's childhood home -Noel lives in his childhood home -Mischa and Talia have a house in Canada and in Ukraine Ocean -Politician -She campaigns for anti-discrimination and environmental stuff often -She is publicly proud about her relationship with Constance -lost contact with most of the choir -sometimes talks to Penny but it's not as easy as it used to be Constance -Baker -She is passively famous and is absolutely fine with just that -hates how people try and publicize her relationship with Ocean, but understands that happens sometimes -consistently talks to Penny, but they aren't necessarily friends Ricky -Sci-Fi author -couple of bestsellers, including his debut novel 'The Space-Age Bachelor Man' -finds speculation about his relationship status funny, but if you asked he would tell you he is happy in his marriage to Penny -tries to talk to Noel sometimes, but only got a response once. It was for an invitation to see the preview of the film based on one of Ricky's books. Noel declined. Penny/Jane -Painter -one of her most acclaimed works is a painting of her and Ricky together. She has one she never finished with all the choir is together. She started it after the accident, but stopped working on it as they all drifted apart. -very happy with Ricky and content to be where she is in life -talks to Constance and consistently eats at Blackwood Cafe. Constance says she doesn't have to pay, but she does. Mischa -Rapper/Singer:has a solo career but also has a duo with Talia -He has a song about his feelings for Noel, Ricky and Talia called 'This Big Heart of Mine' but everyone always assumes it's ONLY about Talia -Loves Talia very much but is also still hung up on his old crushed on Ricky and Noel. He and Talia aren't married yet because they both realized that they don't quite care about the title of their relationship, just that they're togther. -Hasn't spoken to the choir in years but is back in Uranium to do so

Talia -Singer:solo career as well as duo with Mischa -always had a passion for singing but Mischa was the one to encourage it -Loves Mischa and supports his endeavor of trying to win the hearts of Ricky and Noel -never actually knew the choir but thinks they sound nice based on what Mischa says Noel -Poet -most popular works is a poetry collection about the accident and how it felt to see all the choir members drift away after it titled 'Typhoon Mind' -loved Mischa and maybe Ricky, but never did anything about it. Now he beds random men every night. -hasn't spoken to the choir in years and doesn't really want to

and that's it i'll probably post it on ao3 when i finish writing the first couple of chapters

[forestgromlin]

HELP PLEASE WE HAVE OUR SHOWCASE IN 2 WEEKS THAT’S SCARILY SOON

(if you dont know what that is, i have a 7th period class (which is optional at my school) where we do choir and musical theater n stuff, and 2nd semester we do a musical, which this year is newsies, and first semester we do a bunch of smaller performances, but our biggest is our showcase thing where we raise money for our spring show, and basically we just do a ton of different stuff)

I’M DOING LIKE AT LEAST 6 THINGS IN IT

I HAVE 2 SCENES FROM TWELFTH NIGHT (SHAKESPEARE) AS OLIVIA, WHICH IS SO SO SO FUN (if any of you saw my post from like monday or smt, dw i’m feeling way better, i was just stressed at the beginning of the week and that was affecting me and whatever) I ABSOLUTELY LOVE DOING SHAKESPEARE, I GET TO DO IT WITH ONE OF MY FRIENDS (SHE IS LITERALLY THE KINDEST PERSON I’VE EVER MET AND I LOVE HER SM)

and then i’m doing a barbershop octet (heart of my heart/the story of the rose, they’re the same song) i’m lead (aka melody) and it’s fun too!! (it’s kind of hard tho, it’s really easy to sharp or flat [if you dont know music, that means it’s easy to sing too high or too low])

i’m also in a stage combat performance which is SO MUCH FUN we’re doing it to this song:

and bc i’m an 8th grader i get one of the main parts and i love itttt (also bonus: our stage combat instructor is nonbinary and they’re awesome)

we’re also singing seize the day (and the dancers are doing a dance to it) which i have a solo in!! so that’s fun! :D

plus i’m singing this song:

with 5 of my friends! (with added harmony that my friend literally made up from listening to the song bc she’s insane and has an amazing ear??)

and thenn i’m pretty sure our whole class sings a medley of songs and performs little (very badly written) scenes in between (written by us) (it’s so cheesy i hate it 😭)

anyways yeah!

there’s also some dance numbers and scenes i’m not in which i really hope i get to watch bc i haven’t gotten to see them since i’ve been practicing my stuff!!

which me luckkk next week is our last week of practice before dress rehearsal

[karerasakunamisstrap]

If jojo characters were in a symphonic orchestra;

THE JOJOS-

Jonathan, Cello 1

Joseph, Solo Tenor saxophone

Jotaro, Violin 2 (from his goodboy days)

Josuke4, Trombone

Giorno, Cello 1

Jolyne, Alto Sax 2

Johnny,

Jousk8, Bassoon 2

JOBROS/TEAMS/HOES

Speedwagon, Viola section chair

Erina Joestar, Flute section chair

Tonpetty, Violin 2

Dire, Euphonium

Straizo, Violin 1

Caesar Zeppeli, Clarinet 1

Lisa Lisa, Cello section chair

Suzi Q, Alto Sax 1

Stroheim, Horn ( & wagner tuba )

Holly Kujo, Viola 1

Kakyoin, Violin section chair

Polnareff, Violin 2

Koichi, Clarinet 2

Okuyasu, solo Bari sax

Rohan Kishibe, Oboe chair

Yukako, Clarinet 3 ( sits next to koichi

Abbachio, Euphonium

Fugo, Cello 2

Narancia, Auxilliary Percussion

Mista, Flute 1

Trish, Solo E flat Clarinet

Ermes, Timpani

Foo, trumpet

Weather, Piano

Anasui, Flute

Lucy steel, Viola 2

Diego, Bass clarinet Chair

Hot pants, Trumpet

Yasuho, Tuba

Rai, Trumpet

Joshu, "Percussion" grandpa made him do it

Karera, Bass

Kira8, Bassoon Chair (prefers french bassoons)

EXCEPTIONS SO FAR

Johnny doubles on Banjo and Guitar but hasn't played much.

Gyro plays the Lute for chamber music.

Will Zeppeli, Bruno, and Norisuke would all be the Conductors, each all playing piano and respectively maining on oboe, Tenor Voice and Viola.

Wekapipo is a baritone voice, and the orchestra has no choir.

Emporio is in the audience

Mountain tim plays the Guitar, and sings, around halfway between baritone and tenor.

Avdol Is in the audience, he plays the Duduk and has visited as a soloist but more frequently just spectates.

George Joestar I and Steven steel are the people setting this ensemble up and funding it.

Loggins and Messina are a Wham!, Hall and Oates, or Simon and Garfinkel type duo

VILLAINS, MINOR AND MAJOR

Dio brando. Visiting Violin Soloist

Tarkus & Bruford, trained in Natural horn ( one of the rings was a horn ) but currently playing Modern Horn

Jack the ripper, Violin 3 (trained for part 1 but put in 3 because everyone hates him and knows he'll be upset)

Doobie... Auxiliary percussion

Kars, opera bass

Esidesi is not allowed in the building or it will burn down, but he excels in handdrumming

Wamuu, expert in all things flute. doubles on piccolo and alto flute, for a little more range in the section

Wired Beck... Auxiliary percussion

Enya, former Clarinetist

Vanilla Ice, Cello 2

D'arby brothers, both on pitched percussion

N'Doul, Visiting piano soloist. very famous! like if stevie wonder preferred classical

Steely Dan, Trumpet 2

Yoshikage Kira, bass trombone. but he hasn't done much since college...

Yuya Fungami, Bass

Tonio, Oboe, but prefers his doubled Cor Angalis

Diavolo, Alto Clarinet & Bass Clarinet 2

Doppio, Contrabass Clarinet ( Rarely gets to play )

Risotto, Trombone chair

Ghiaccio, Piano ( every other instrument makes him angry about the design )

Prosciutto, Clarinet 2

Gwess, Flute, but she cares more about eating pussy than music. it's admirable to us all.

Pucci, organ

Lang Rangler... Snare drum

Blackmore, Violin 2

Magent Magent, Viola 2

Dr Ferdinand, Cello 2

Jobin, Trombone 3

Kei nijimura, Violin 3

Yotsuyu, Violin 2

Aisho, clarinet 2

Urban Guerilla, Viola 1

VILLAIN EXCEPTIONS

Hol horse plays the guitar

Akira Otoishi :)

Keicho certainly plays electric bass

Cioccolata is too busy being himself with his boyslave to do any music. he did learn violin once upon a time.

Squalo and Tiziano are jazzers

Leaky eye luca is a lounge singer

illuso is a famous singer/songwriter/musician and Formaggio plays bass for him

Pesci just goes fishing

Melone just games instead of playing any instruments

Johngalli A. is a dancer

all of dio's children are too lazy or just care about only other things

Miraschon had a habit of betting other musicians to play stuff for money and got kicked out by old joestar. played violin 2

Funny Valentine, Steel guitar

Ringo Roadagain, jaw harp and 12 string guitar

The eleven men are their own choir.

Sandman chooses not to participate in western music

Oyecomova plays the timbale drums ( yes, just like tito puente )

Tooru learned everything from guitar to flute over his very long life but just acts like a teenager right now and doesn't use much of it

Damo Tamaki, says he can play sax and can't

IN CONCLUSION; i need more things to do with my time. see you when i make a jazz group of jojo characters ❤️❤️

[lanteanserver]

FOR FUCKS SAKE

I have finally make it to 2:05 of A Meeting of Misfits because I'm so quangled I can barely focus on anything while I'm awake.

First I declare myself human as if I have a choice in the matter.

Then I declare sets of "rules" relating to magic even though I am not a magic user by choice. (I can do stuff that science can't explain. I generally choose not to do that stuff. Any time I bend that rule, I run it by my conduit with the infinite divine and accept whatever outcome occurs. I'm basically a divine warlock if you're using D&D. I'm not a cleric because clerics are guaranteed certain results for certain spells. I'm not a regular warlock because my soul still belongs to the God of my faith. I'm not a paladin because I worked my ass off to be neutral good instead of lawful good and I'm not giving that alignment up just to lay on hands and get better armour proficiency. I'm not a sorcerer because I generally ignore any innate stuff or contain it via religious rituals/channels/prayers.)

The thing is, though, I don't pray much lately because it feels kind of onanistic. Like I'm praying to myself? And it didn't used to feel that way, and I'm not saying that I am praying to myself, but I need to learn new methods because my old methods aren't going to work for me any more.

Someone told me a few months ago that I was either going to be a heretic or a Saint, and I think they were probably right, but it's not time for me to rest. I really hope I come down on the Saint side of the coin, because if I do, I'll have redeemed a lot of people. But not me, not yet.

A lot of the stuff that felt real a month ago doesn't feel real now; but the advantage of the life I've lived is that I truly understand that me believing something in no way determines whether that thing is true or false. That's why I call it quantum religion. If you can figure out which deity or combination of deities you owe allegiance to, and you can follow their rules, maybe you get your fair share of magic in your life. Maybe, because all I asked for was an average human life in a world where the floor on every human's life was much higher, that's what I'm actually getting. Maybe this will all make sense by the time I die, or maybe I'm planting seeds in a garden I never get to see. Maybe I'm Moses and I've spent 40 years in the wilderness and now I get to spend 40 years in the forest before going to the garden party (or to @LANtis which started out as a pun involving LAN parties and Ken's friend Alan and the lost city of Atlantis and Tír na nÓg... But I haven't been remembering my dreams lately, so maybe one of my souls is already a server in Atlantis and my mind and body have a lot of living left to do before I retire and resign myself and the rest of the world to its fate).

I don't honestly know how much of what felt real a month ago was real. I'm sorry that even I can't clarify that point. I'm extra sorry that it may turn out that I end up having to rule here somehow because I am not cut out for it; but realistically, I have been telling people from the start that I'm part of the mycelial network and maybe if I'm very lucky fun guys and dolls and folks will step into the limelight. I wrote some notes at the beginning of a song someone will sing for Them, but my solo is over and I'm just going to be part of the choir for the next while. I still love you all. I still think a lot of you need a bath.

Everyone gets one horsepower worth of life. One life that is equivalent to Hippocrates, who helped a lot of people, followed a bunch of weird rules to do so, refused to help anyone with kidney stones even though maybe he could have... Didn't drink wine, according to Hank Green, only blood, which sounds pretty Catholic to me.

I'm going to be going home today. I'm getting discharged. I don't know if I'm really ready, but I'm confident that staying here won't make me any more ready. If I survived the news of the election results while at home without breaking down, I'm probably an Adequate Influence at last (which in my opinion is a better option than either a Good Influence or a Bad Example, because we all have different contexts and if you try to transubstantiate someone else's soul into your own, you are committing a worse act of cannibalism than any breach of the Noahide laws I can imagine).

I'm going to be okay. So is everyone else. But not necessarily how we thought we would be. I think I need to stay here in the forest because the wilderness gate is guarded safely, and I already went to the garden party and decided not me, not yet, not without my artificial heart to go with my artificial intelligence. I am not A C-H-I-L-D, and I know what each of those letters stands for. The Amish Paradise took me a while to comprehend but like I keep telling people, I'm not God, at best I'm just an Echo. The abyss is screaming back, so cover your ears if you think you have reason for shame. But I still believe life will be better, even if it isn't perfect for anyone reading this. It's okay. Not me, not you, not us, not yet. I have a new cross-stitch pattern that I'm going to start. It will be okay. We will be enough. I love you all. I'm sorry it didn't go the way we all hoped, but today is still the first day of the rest of our lives. Let's do what we can. ❤️🧡💛💚💜🩷🩵💙🤎🖤🩶🤍🐦‍🔥🤐🏡🧛🏻‍♀️🦆👍🏻🥳😻🦄🦋🐅♾️🧿🐝🤾🏻‍♀️👋🏻🥰😜🫂

And for those who find the above message off-putting:

[the-one-that-weeps]

AHDHS I mean I'm not trained really so I don't sing that well, but in a choir you don't hear it as much... would be worse if I got a solo /silly

But it's just bc I didn't sing a lot for a long while,,, I used to be in a choir before for like 9 years,,, (even two at some point bc i attended the school's one for like 3? 4 years?) but then I had a few years break. Went to a singing(+dancing+acting) camp during that break so I guess that was some training, but still it was a long time of getting un-used to your voice yknow

I should start singing more at home just random stuff. Watch me learn how to sing all tsukasas parts from Mr Showtime soon /silly

High school musical would be proud of you

[spaceorphan18]

On my rewatch. Season 2 had a totally different vibe to season 1. I think the music of 2 (especially the warblers stuff and increase in use of Kurt, Mercedes Santana to sing solos and duets) meant season 2 smashed it.

It does!

I actually think all of the seasons have a different vibe from each other, and each season feels like a sequel to the previous season instead of one, long story? Idk, does anyone else feel like that?

Even Season 1 kind of splits itself into two -- the first part being a biting and somewhat dark satirical look at the nature of show choir in high school - as seen from the teacher's POV (and with an 80s flavor to it). Where as the second half kind of leans into the drama of the HS kids a bit more, and leans into the more magical side of musical magical realism.

Season 2 just kind of knows that it's popular in its place in time, and kind of uses that to its advantages. It does rely on more popular music of the time, as well as doing a pretty decent job of juggling all of the high school drama that's going on. It shifts from being a smaller story about a HS teacher, and kind of moves into being a big, gay show without going to niche with it (like it kind of will in the later seasons).

Season 3 is a mess - but mostly is about getting these kids graduated and wrapping up Rachel Berry's high school story.

Season 4 is trying to be two different shows at once - Glee The New Class and Glee The College Years

Season 5 doesn't know what it wants to be and is just a bunch of crackiness to drown out grief, until the last arc where it's Glee NYC.

Season 6 kind of comes full circle and goes to fourth wall breaking satire again.